were founded in 2010 in Berlin by the puppeteer-punk-rock artists Anna Menzel and Ivana Sajevic. Their first show “Pieps! Du kleiner Vogel” was rewarded with the First Prize of the Jury at the 100°-Festival in Berlin. Loaded with money and fame they did what was to be done: A theatre piece on the libyan leader Muammar al-Gaddafi. Premier night of the show “King of the Kings” at the Sophiensaele Berlin occured to be the first day of the libyan revolution. Since then Annemie Twardawa (Buenos Aires) and Nils Zapfe (Berlin) have been permanent members of the group. The show went on tour to Hamburg, Vienna, Zurich, Düsseldorf and Frankfurt. The following piece “Fixen” is based on the true story of a media scandal caused by swiss journalist Tom Kummer. Threatened by lawyers and agents from the other side of the world lovefuckers played the show anyway in Berlin, Bochum and at the avantgarde Festival Fusion. By now LOVEFUCKERS are known for their unique way of combining music, video, puppets, performance and documentary elements. They have played in concert halls and strip clubs as well as in theatres and at art festivals. LOVEFUCKERS follow a simple goal: To put some glamour to dirt and shit and to search for love where everything seems to be sick.

**The Return of Ishtar** Another world is possible


Foto: Andreas Martini

Premiere: 24.09.2020

Jedes Herz ist eine Zeitbombe

Die Welt befindet sich in einem tiefen Schlaf, aus dem einige wenige erwachen und sich die Gesellschaft nach ihren Wünschen formen können: Die Geschichte kann umgeschrieben, neu erlebt und gestaltet werden. Die Erwachten besitzen Superkräfte und experimentieren in einem Raum ohne Zeit und Grenzen. Leise, ohne dass es jemand bemerkt, schleicht SIE sich ein. SIE, die Königin der Apokalypse: ISHTAR. Lange bevor wir alle geboren wurden, gab es in der heiligen Stadt Uruk eine Göttin. Man sagt, SIE sei die Königin des Himmels, der Falke der Götter und hätte unbegrenzte Erscheinungsformen. SIE konnte als Mann oder als Frau auftreten. Man gab ihr viele Namen, einer davon war Ishtar. SIE vereinte gegensätzliche Eigenschaften: Liebe und Krieg. Heute ist ihre Bedeutung in Vergessenheit geraten. Dabei ist SIE eine Inspiration für neue Geschlechterentwürfe.

Wir unternehmen eine radikale Zeitreise und entwerfen Zukunftsszenarien, in denen wir uns trauen, jede auch nur entfernt vorstellbare Alternative Wirklichkeit werden zu lassen.


Konzept, Spiel: Anna Menzel, Ivana Sajević, Annemie Twardawa
Regie, Choreografie: Corinne Eckenstein
Bühne, Kostüme, Puppen: Birgit Kellner, Christian Schlechter (Spitzwegerich)
Puppen: Ivana Sajević, Annemie Twardawa
Musik: Manfred Engelmayr
Techdesign, Videomapping: Valentin Danler
Assistenz: Sophie Freimüller
Produktion: Dirk Neldner, Josefine Winkler
Hospitanz: David Gamel

Gefördert im Fonds Doppelpass der

The curse – days of separation

an artist research residency



Lovefuckers ( Anna Menzel, Ivana Sajevic, Annemie Twardawa) & Rita Hausmann

Menstrua– iiiih. Tabu und Ekel dominieren immer noch den öffentlichen Diskurs um Menstruation. Ein Großteil der Menschen in unserer patriarchal geprägten Gesellschaft wollen am liebsten nichts drüber wissen, nicht drüber reden, niemals einen Tampon anfassen, im Grunde das gesamte Kapitel streichen. Und auch cis-Männer-gemachte-Wissenschaft zeigt ähnliches: Menstruationsblut sollte in der Antike und Mittelalter noch ungekochtes Sperma sein, Freud sprach später von der Vulva als blutige Wunde. Also rauf mit dem Blut auf die Bühne, Schluss mit den Sprechverboten um den „Intimbereich“! Es ist an der Zeit Menstruation endlich aus der Ekelposition zu rehabilitieren!



JEHAW!!! good news: we got the fonds doppelpass from the Kulturstiftung des Bundes!! Together with the theatre young generation tjg – Dresden and the Dschungel Wien we’re going to work on the subject: forms of resistance – explicitly young. We are looking forward to work on that over the next two years! love .. lovefuckers

Army of Lovefuckers

Premiere 26.5.2017, Sophiensaele Berlin

Join the Army of Lovefuckers! We are arming ourselves – inside and out. The theater is our boot camp. Packed with explosives, with dolls and projections we are following the trails of the female warrior in the fight for endless freedom and absolute strength. Fearless our army goes into battle – with their own strategies and weapons. Risk your life, kill for love, annihilate resistance – performance as the continuation of politics, just with different methods. To all warriors lost: it is time to rise up!

DIRECTOR Ivana Sajevic, Anna Menzel
MUSIC Stephanie Krah

A production by Lovefuckers in coproduction mit SOPHIENSÆLE. Funded by the Senate Department for Culture and Europe.

Sophiensaele Senat


©Dorit Günter


Premiere: 19.5.2016

©Christian Marquardt

Society is getting older but sex remains young? In the media we are bombarded with images of fooling around, masturbation and sex, while failure and aversion are quickly cured by pills. Lovefuckers have interviewed the blue-hairs: what is sex like after seventy? And what exactly awaits us later on? Do we completely do away with the sexes or do we indulge in cybersex? A journey into the unknown future with dolls, pop and projections.

CONCEPT, PERFORMANCE Ivana Sajević, Nils Zapfe
FINAL DIRECTION Sebastian Martin
EQUIPMENT, DOLLS Rita Hausmann, Virginia Reil
MUSIC Leo Auri
LIGHT DESIGN Sebastian König

Produced by Lovefuckers in co-production with SOPHIENSÆLE. Funded by the Governing Mayor of Berlin – Senate Chancellery – Cultural Affairs. Friendly supported by HfS „Ernst Busch“, Abteilung Puppenspielkunst Berlin, Puppentheater Halle, Xposed Film Festival Berlin, Andreas Martini, Magda Lena Schlott, Dietrich Kuhlbrodt und Hedy Fuchs-Waldherr.

Ernst Busch Puppentheater queer Fonds

SPAM – click.slap.stick.yeah.

©Gerhard Ludwig

Premiere: 9.4.2015

Honesty is such a lonely word. The new LOVEFUCKERS-production puts the audience in a situation on the edge of reality and fiction. Two performers use their private names and stories as well as the methods of nigeria-scams- because that’s what the show is all about: trust and authenticity, fraud and cheating. What is the value of a compliment made on stage? How much does it need to seduce my thoughts? Will one of the performers be naked tonight? Do I want to see that? And all of a sudden another audience member earns 10.000 Euros at the end of the show. No doubt, no problem, for real. The performance is build around two basic elements: the usage of alive camera and the direct contact between the performers and the audience. Small photos are filmed and projected at the back wall, so they become background landscapes and interiors. Those are the settings for puppets made of paper and the performers themselves. At the very beginning of the show the two performers welcome the audience by promising a “night without without any fake”. There shall only be honesty and trust between performers and spectators. Private photos are shown, people are called to dance on stage and to sing karaoke. What appears to be a casual way of getting to know each other turns out to be based on a very sincere matter for the LOVEFUCKERS: There is a whole lot of money the performers want to get rid of. Tonight. So eventually 10.000 Euros are transferred online to one of the spectators. The transaction is seen by everybody…

Idea, Performance Ivana Sajevic, Nils Zapfe
Final View France-Elena Damian
Technician Sebastian K. König

Produced by LOVEFUCKERS and Sophiensaele Berlin


Bad boys – Who the fuck wants to be nice

Premiere: 24.09.2014

“A man’s gotta do what a man’s gotta do”.

Concept, Installation, Performer: Ivana Sajevic, Annemie Twardawa
Dolls: Annemie Twardawa
Video: Christoph Kube
Security: Charles Ndong
Part of the Festival „Men in Garages“ in Sophiensaele, Berlin .


©Katja Riemer

A Walking-Act with and by Rolf Eden as a part of the festival: “Berlin del Mar”, Sophiensaele 2011

Performance and everything: Ivana Sajević & Anna Menzel
Puppets: Dorit Agater

FIXEN – Die Ballade von der medialen Abhängigkeit

©Christian Marquardt

Premiere: 7.6.2012
RUHRNACHRICHTEN, 15. Januar 2013
Multimedia Ride
“(…) The ingenious punch-line: The performance mixes authentic details of Tom Kummer’s life with fictional scenes and dream-like sequences. That way the true story becomes the visual programme of the piece itself. This road trip on the sharp edge between fiction and reality makes the LOVEFUCKERS show everything a theatre has to offer. Take the stage design of Bertolt Brecht, puppet scenes, short movies, live music and projections of illustrations (that are made on stage) – every single element of this multimedia performance belongs to the other and make the piece diverse and entertaining at the same time. A fantastic effort!”

WAZ, 14. Januar 2013
“(…) Using a brilliant variety of theatre elements the Berlinbased group told the (very true, but very well faked) story of a journalist who runs after money and fame.”

Regie: Nils Zapfe
Concept: Ivana Sajević, Nils Zapfe
Dolls: Ivana Sajević, Annemie Twardawa
Installation: Sebastian Valk
Puppets, Performer: Anna Menzel, Annemie Twardawa, Jonas Baeck
Liveillustration, Performer: John Fleisch

Eine Koproduktion von LOVEFUCKERS, dem Prinz-Regent-Theater Bochum und SOPHIENSÆLE. Gefördert vom Fonds Darstellende Künste. Mit freundlicher Unterstützung von Pack Attack. Dank an HfS Ernst Busch Abteilung Puppenspiel und taz. Die tageszeitung.



© Gerhard F. Ludwig


Premiere: 10.3.2011

BERLINER ZEITUNG 12.März 2011 (Sophiensaele)
“(…) This Puppet-Performer-Theatre is unique because of its funny and virtuously composed ensemble action. Every technical movement is part of the story-telling process as well, which not only ridicules the monstrous hybrid-creature of the dictator, but also develops a very special multi-artistic hybrid-theatre of its own.”

HAMBURGER ABENDBLATT, 31. März 2011 (Kampnagel)
“It does not take long until everybody in the audience knows who Gaddafi is. A grumbling, giggling and gloating puppet with silly sunglasses, who writes his decrees on toilet paper and flies away on a fabulous flying carpet when he no longer knows what to do. The performers change the leading vocal parts of Gaddafi, wearing trashy Supergirl-costumes. (…) A completely hilarious, but brutally funny and amusing desert-james-bond.”

Performer: Anna Menzel, Annemie Twardawa, Nils Zapfe, Dennis Katzmann
Regie, Concept: Ivana Sajeviç
Installation: Basti Valk
Dolls: Dorit Agater
Costums: Sasha Matteucci
Music: Yujiro Akihiro
Video: Christoph Kube

Co-Produktion: Freischwimmer Festival, gefördert mit Mitteln der Allianz Kulturstiftung

PIEPS! You little bird.

Premiere: Herbst 2009

A Music-Trash-Show with and about Serialkillers.

„If Quentin Tarantino would do puppet theater- that is how it would look like.“ (Hundertwortkritik)

Juryprice of 100 ° – Festival at Sophiensaelen Berlin 2010

Performance and everything: Ivana Sajević & Anna Menzel
Participants: Nora Pagel, Anna Maria Rippl, Anna Grodecki, Jochen Menzel, France Elena Damian & Christoph Kube